| 1 |
Mša glagolskaja: I. Úvod |
Leoš Janáček |
3:20 |
| 2 |
Mša glagolskaja: II. Gospodi pomiluj |
Leoš Janáček |
3:08 |
| 3 |
Mša glagolskaja: III. Slava |
Leoš Janáček |
6:10 |
| 4 |
Mša glagolskaja: IV. Vĕruju |
Leoš Janáček |
11:13 |
| 5 |
Mša glagolskaja: V. Svet |
Leoš Janáček |
5:48 |
| 6 |
Mša glagolskaja: VI. Agneče Božij |
Leoš Janáček |
5:00 |
| 7 |
Mša glagolskaja: VII. Postludium: Varhany sólo |
Leoš Janáček |
2:36 |
| 8 |
Mša glagolskaja: VIII. Intrada |
Leoš Janáček |
1:51 |
| 9 |
War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam dona esi Domine (chorus/boys) |
Benjamin Britten |
6:09 |
| 10 |
War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? (tenor) |
Benjamin Britten |
2:20 |
| 11 |
War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison (chorus) |
Benjamin Britten |
1:25 |
| 12 |
War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus) |
Benjamin Britten |
3:58 |
| 13 |
War Requiem, op. 66: II. Dies irae. Bugles sang, saddening the evening air (baritone) |
Benjamin Britten |
2:46 |
| 14 |
War Requiem, op. 66: II. Dies irae. Liber scriptus proferetur (soprano/semi-chorus) |
Benjamin Britten |
2:46 |
| 15 |
War Requiem, op. 66: II. Dies irae. Out there, we've walked quite friendly up to Death (tenor/baritone) |
Benjamin Britten |
1:45 |
| 16 |
War Requiem, op. 66: II. Dies irae. Recordare Jesu pie (chorus) |
Benjamin Britten |
4:44 |
| 17 |
War Requiem, op. 66: II. Dies irae. Be slowly lifted up, thou long black arm (baritone) |
Benjamin Britten |
1:52 |
| 18 |
War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus) |
Benjamin Britten |
1:17 |
| 19 |
War Requiem, op. 66: II. Dies irae. Lacrimosa dies illa (soprano/chorus) |
Benjamin Britten |
2:04 |
| 20 |
War Requiem, op. 66: II. Dies irae. Move him into the sun (tenor/soprano/chorus) / Pie Jesu (chorus) |
Benjamin Britten |
5:55 |
| 21 |
War Requiem, op. 66: III. Offertorium. Domine Jesu Christe (boys/chorus) |
Benjamin Britten |
3:33 |
| 22 |
War Requiem, op. 66: III. Offertorium. So Abram rose, and clave the wood, and went (tenor/baritone/boys) |
Benjamin Britten |
6:16 |
| 23 |
War Requiem, op. 66: IV. Sanctus. Sanctus, sanctus, sanctus (soprano/chorus) |
Benjamin Britten |
3:18 |
| 24 |
War Requiem, op. 66: IV. Sanctus. Benedictus qui venit in nomine Domini (soprano/chorus) |
Benjamin Britten |
2:52 |
| 25 |
War Requiem, op. 66: IV. Sanctus. After the blast of lightning from the East (baritone) |
Benjamin Britten |
3:43 |
| 26 |
War Requiem, op. 66: V. Agnus Dei (tenor/chorus) |
Benjamin Britten |
3:44 |
| 27 |
War Requiem, op. 66: VI. Libera me. Libera me, Domine, de morte aeterna (soprano/chorus) |
Benjamin Britten |
7:34 |
| 28 |
War Requiem, op. 66: VI. Libera me. It seemed that out of battle I escaped (tenor/baritone) |
Benjamin Britten |
9:47 |
| 29 |
War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" (tenor/baritone/boys/soprano/chorus) |
Benjamin Britten |
5:25 |
| 30 |
An American Overture |
Benjamin Britten |
10:31 |
| 31 |
Ballad of Heroes, op. 14: I. Funeral March (Swingler) - |
Benjamin Britten |
5:47 |
| 32 |
Ballad of Heroes, op. 14: II. Scherzo (Auden) - |
Benjamin Britten |
4:24 |
| 33 |
Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler) |
Benjamin Britten |
6:24 |
| 34 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Theme - |
Benjamin Britten |
1:20 |
| 35 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var I: Recitative - |
Benjamin Britten |
1:39 |
| 36 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var. II: Romance - |
Benjamin Britten |
1:20 |
| 37 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var III. Variation 3: March - |
Benjamin Britten |
1:15 |
| 38 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var IV: Arabesque - |
Benjamin Britten |
1:50 |
| 39 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var V: Chant - |
Benjamin Britten |
1:48 |
| 40 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var VI: Nocturne - |
Benjamin Britten |
2:00 |
| 41 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var VII: Badinerie - |
Benjamin Britten |
1:21 |
| 42 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var VIII: Burlesque - |
Benjamin Britten |
1:37 |
| 43 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var IX: Toccata I - Toccata II - Cadenza - |
Benjamin Britten |
2:50 |
| 44 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var X: Adagio - |
Benjamin Britten |
4:00 |
| 45 |
Diversions, op. 21 for Piano (left hand) and Orchestra: Var XI: Finale (Tarantella) |
Benjamin Britten |
2:42 |
| 46 |
The Building of the House, op. 79 |
Benjamin Britten |
5:08 |
| 47 |
Praise We Great Men (ed. & orch. by Colin Matthews): Praide we great men - |
Benjamin Britten |
3:30 |
| 48 |
Praise We Great Men (ed. & orch. by Colin Matthews): Praise we the just - |
Benjamin Britten |
2:22 |
| 49 |
Praise We Great Men (ed. & orch. by Colin Matthews): (Coda) |
Benjamin Britten |
1:35 |
| 50 |
Suite on English Folk Tunes "A Time There Was", op. 90: I. Cakes and Ale |
Benjamin Britten |
2:34 |
| 51 |
Suite on English Folk Tunes "A Time There Was", op. 90: II. The Bitter Withy |
Benjamin Britten |
2:57 |
| 52 |
Suite on English Folk Tunes "A Time There Was", op. 90: III. Hankin Booby |
Benjamin Britten |
2:31 |
| 53 |
Suite on English Folk Tunes "A Time There Was", op. 90: IV. Hunt the Squirrel |
Benjamin Britten |
1:18 |
| 54 |
Suite on English Folk Tunes "A Time There Was", op. 90: V. Lord Melbourne |
Benjamin Britten |
5:25 |
| 55 |
Canadian Carnival, op. 19 |
Benjamin Britten |
14:02 |
| 56 |
Young Apollo, op. 16 |
Benjamin Britten |
7:41 |
| 57 |
Quatre Chansons françaises: No. 1. Les Nuits de Juin |
Benjamin Britten |
2:49 |
| 58 |
Quatre Chansons françaises: No. 2. Sagesse |
Benjamin Britten |
2:49 |
| 59 |
Quatre Chansons françaises: No. 3. L'Enfance |
Benjamin Britten |
4:31 |
| 60 |
Quatre Chansons françaises: No. 4. Chanson d'automne |
Benjamin Britten |
2:30 |
| 61 |
Scottish Ballad, op. 26 |
Benjamin Britten |
15:22 |
| 62 |
Occasional Overture, op. 38 |
Benjamin Britten |
7:16 |
| 63 |
Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben marcato - |
Benjamin Britten |
8:39 |
| 64 |
Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco - |
Benjamin Britten |
5:22 |
| 65 |
Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo |
Benjamin Britten |
6:27 |
| 66 |
Die sieben Todsünden: Prolog |
Kurt Weill |
3:31 |
| 67 |
Die sieben Todsünden: I. Faulheit (Family) |
Kurt Weill |
3:48 |
| 68 |
Die sieben Todsünden: II. Stolz (Anna I / Family) |
Kurt Weill |
4:28 |
| 69 |
Die sieben Todsünden: III. Zorn (Anna I & II / Family) |
Kurt Weill |
4:23 |
| 70 |
Die sieben Todsünden: IV. Völlerei (Family) |
Kurt Weill |
3:24 |
| 71 |
Die sieben Todsünden: V. Unzucht (Anna I & II / Family) |
Kurt Weill |
5:37 |
| 72 |
Die sieben Todsünden: VI. Habsucht (Family) |
Kurt Weill |
3:10 |
| 73 |
Die sieben Todsünden: VII. Neid (Anna I / Family) |
Kurt Weill |
4:30 |
| 74 |
Die sieben Todsünden: Epilog (Anna I & II) |
Kurt Weill |
1:39 |
| 75 |
On Wenlock Edge: No. 1. On Wenlock Edge |
Ralph Vaughan Williams |
3:48 |
| 76 |
On Wenlock Edge: No. 2. From Far, From Eve and Morning |
Ralph Vaughan Williams |
2:00 |
| 77 |
On Wenlock Edge: No. 3. Is My Team Ploughing |
Ralph Vaughan Williams |
3:35 |
| 78 |
On Wenlock Edge: No. 4. Oh, When I Was in Love With You |
Ralph Vaughan Williams |
0:44 |
| 79 |
On Wenlock Edge: No. 5. Bredon Hill |
Ralph Vaughan Williams |
7:09 |
| 80 |
On Wenlock Edge: No. 6. Clun |
Ralph Vaughan Williams |
3:07 |
| 81 |
Song of Travel: No. 1. The Vagabond |
Ralph Vaughan Williams |
3:02 |
| 82 |
Song of Travel: No. 2. Let Beauty Awake |
Ralph Vaughan Williams |
1:41 |
| 83 |
Song of Travel: No. 3. The Roadside Fire |
Ralph Vaughan Williams |
2:20 |
| 84 |
Song of Travel: No. 4. Youth and Love |
Ralph Vaughan Williams |
3:17 |
| 85 |
Song of Travel: No. 5. In Dreams |
Ralph Vaughan Williams |
2:36 |
| 86 |
Song of Travel: No. 6. The Infinite Shining Heavens |
Ralph Vaughan Williams |
2:06 |
| 87 |
Song of Travel: No. 7. Whither Must I Wander |
Ralph Vaughan Williams |
3:49 |
| 88 |
Song of Travel: No. 8. Bright Is the Ring of Words |
Ralph Vaughan Williams |
1:55 |
| 89 |
Song of Travel: No. 9. I Have Trod the Upward and Downward Slope |
Ralph Vaughan Williams |
2:06 |
| 90 |
Symphonic Dances, op. 45: I. Non allegro |
Sergei Rachmaninov |
12:09 |
| 91 |
Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) |
Sergei Rachmaninov |
10:03 |
| 92 |
Symphonic Dances, op. 45: III. Lento assai - Allegro vivace |
Sergei Rachmaninov |
14:38 |
| 93 |
Vocalise, op. 34 no. 14 |
Sergei Rachmaninov |
6:59 |
| 94 |
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso |
Gustav Mahler |
23:54 |
| 95 |
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato |
Gustav Mahler |
10:16 |
| 96 |
Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung |
Gustav Mahler |
11:18 |
| 97 |
Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht |
Gustav Mahler |
5:07 |
| 98 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend - |
Gustav Mahler |
6:48 |
| 99 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit - |
Gustav Mahler |
3:07 |
| 100 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso - |
Gustav Mahler |
4:36 |
| 101 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend - |
Gustav Mahler |
5:59 |
| 102 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso - |
Gustav Mahler |
6:34 |
| 103 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter - |
Gustav Mahler |
3:23 |
| 104 |
Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen - |
Gustav Mahler |
4:42 |
| 105 |
Das klagende Lied: I. Waldmärchen |
Gustav Mahler |
28:34 |
| 106 |
Das klagende Lied: II. Der Spielmann |
Gustav Mahler |
17:38 |
| 107 |
Das klagende Lied: III. Hochzeitsstück |
Gustav Mahler |
18:57 |
| 108 |
Piano Quartet no. 1 in G minor, op. 25: I. Allegro |
Johannes Brahms |
14:07 |
| 109 |
Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo |
Johannes Brahms |
8:24 |
| 110 |
Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto |
Johannes Brahms |
10:52 |
| 111 |
Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto |
Johannes Brahms |
9:24 |
| 112 |
Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig |
Gustav Mahler |
25:21 |
| 113 |
Symphony no. 6 in A minor: II. Andante moderato |
Gustav Mahler |
16:46 |
| 114 |
Symphony no. 6 in A minor: III. Scherzo: Wuchtig |
Gustav Mahler |
13:15 |
| 115 |
Symphony no. 6 in A minor: IV. Finale: Allegro moderato |
Gustav Mahler |
30:26 |
| 116 |
Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico |
Jean Sibelius |
12:01 |
| 117 |
Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento |
Jean Sibelius |
10:09 |
| 118 |
Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro |
Jean Sibelius |
5:45 |
| 119 |
Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia: Andante - Allegro molto |
Jean Sibelius |
13:48 |
| 120 |
Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto |
Jean Sibelius |
12:49 |
| 121 |
Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto |
Jean Sibelius |
8:21 |
| 122 |
Symphony no. 5 in E-flat, op. 82: III. Allegro molto - Un pochettino largamente |
Jean Sibelius |
9:17 |
| 123 |
Symphony no. 2 in D, op. 43: I. Allegretto |
Jean Sibelius |
9:50 |
| 124 |
Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato |
Jean Sibelius |
14:22 |
| 125 |
Symphony no. 2 in D, op. 43: III. Vivacissimo |
Jean Sibelius |
6:31 |
| 126 |
Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato |
Jean Sibelius |
14:24 |
| 127 |
Symphony no. 3 in C, op. 52: I. Allegro moderato |
Jean Sibelius |
10:33 |
| 128 |
Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto |
Jean Sibelius |
9:43 |
| 129 |
Symphony no. 3 in C, op. 52: III. Moderato - Allegro (ma non tanto) |
Jean Sibelius |
8:18 |
| 130 |
Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio |
Jean Sibelius |
10:53 |
| 131 |
Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace |
Jean Sibelius |
4:47 |
| 132 |
Symphony no. 4 in A minor, op. 63: III. Il tempo largo |
Jean Sibelius |
11:45 |
| 133 |
Symphony no. 4 in A minor, op. 63: IV. Allegro |
Jean Sibelius |
10:17 |
| 134 |
Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato |
Jean Sibelius |
9:08 |
| 135 |
Symphony no. 6 in D minor, op. 104: II. Allegretto moderato |
Jean Sibelius |
6:18 |
| 136 |
Symphony no. 6 in D minor, op. 104: III. Poco vivace |
Jean Sibelius |
3:48 |
| 137 |
Symphony no. 6 in D minor, op. 104: IV. Allegro - Allegro assai |
Jean Sibelius |
10:32 |
| 138 |
The Oceanides, op. 73 |
Jean Sibelius |
10:32 |
| 139 |
Symphony no. 7 in C, op. 105: I. Adagio - |
Jean Sibelius |
7:59 |
| 140 |
Symphony no. 7 in C, op. 105: II. Un pochettino meno allegro - Vivacissimo - Adagio - |
Jean Sibelius |
4:59 |
| 141 |
Symphony no. 7 in C, op. 105: III. Allegro molto moderato - |
Jean Sibelius |
4:02 |
| 142 |
Symphony no. 7 in C, op. 105: IV. Vivace - Presto - Adagio |
Jean Sibelius |
5:36 |
| 143 |
Kuolema, op. 44: Scene with Cranes |
Jean Sibelius |
5:33 |
| 144 |
Pan and Syrinx, op. 49 |
Carl Nielsen |
8:33 |
| 145 |
Symphony no. 4, op. 29 "The Inextinquishable": I. Allegro - |
Carl Nielsen |
11:46 |
| 146 |
Symphony no. 4, op. 29 "The Inextinquishable": II. Poco allegretto - |
Carl Nielsen |
5:18 |
| 147 |
Symphony no. 4, op. 29 "The Inextinquishable": III. Poco adagio quasi andante - |
Carl Nielsen |
10:47 |
| 148 |
Symphony no. 4, op. 29 "The Inextinquishable": IV. Allegro |
Carl Nielsen |
8:49 |
| 149 |
Turangalîla-Symphonie: I. Introduction |
Olivier Messiaen |
6:18 |
| 150 |
Turangalîla-Symphonie: II. Chant d'amour I |
Olivier Messiaen |
8:52 |
| 151 |
Turangalîla-Symphonie: III. Turangalîla I |
Olivier Messiaen |
5:55 |
| 152 |
Turangalîla-Symphonie: IV. Chant d'amour II |
Olivier Messiaen |
12:06 |
| 153 |
Turangalîla-Symphonie: V. Joie du sang des étoiles |
Olivier Messiaen |
6:38 |
| 154 |
Turangalîla-Symphonie: VI. Jardin du sommeil d'amour |
Olivier Messiaen |
12:24 |
| 155 |
Turangalîla-Symphonie: VII. Turangalîla II |
Olivier Messiaen |
3:48 |
| 156 |
Turangalîla-Symphonie: VIII. Développement de l'amour |
Olivier Messiaen |
12:05 |
| 157 |
Turangalîla-Symphonie: IX. Turangalîla III |
Olivier Messiaen |
4:25 |
| 158 |
Turangalîla-Symphonie: X. Final |
Olivier Messiaen |
7:28 |
| 159 |
The Dream of Gerontius, op. 38: Part I. Prelude: Lento, mistico - Moderato - Andantino - Come prima |
Sir Edward Elgar |
10:18 |
| 160 |
The Dream of Gerontius, op. 38: Part I. Jesu, Maria - I am near to death (Gerontius) |
Sir Edward Elgar |
3:18 |
| 161 |
The Dream of Gerontius, op. 38: Part I. So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus) |
Sir Edward Elgar |
2:45 |
| 162 |
The Dream of Gerontius, op. 38: Part I. Rouse thee, my fainting soul... Be merciful (Gerontius, chorus) |
Sir Edward Elgar |
3:50 |
| 163 |
The Dream of Gerontius, op. 38: Part I. Sanctus fortis, Sanctus Deus (Gerontius) |
Sir Edward Elgar |
4:53 |
| 164 |
The Dream of Gerontius, op. 38: Part I. I can no more (Gerontius) |
Sir Edward Elgar |
2:10 |
| 165 |
The Dream of Gerontius, op. 38: Part I. Rescue him, O Lord (chorus) |
Sir Edward Elgar |
2:13 |
| 166 |
The Dream of Gerontius, op. 38: Part I. Novissima hora est (semi-chorus, chorus, Gerontius) |
Sir Edward Elgar |
1:34 |
| 167 |
The Dream of Gerontius, op. 38: Part I. Proficiscere, anima Christiana (Priest) |
Sir Edward Elgar |
1:55 |
| 168 |
The Dream of Gerontius, op. 38: Part I. Go in the name of Angels (chorus, Priest, semi-chorus) |
Sir Edward Elgar |
1:16 |
| 169 |
The Dream of Gerontius, op. 38: Part I. Go forth upon thy Journey (chorus, Priest, semi-chorus) |
Sir Edward Elgar |
3:21 |
| 170 |
The Dream of Gerontius, op. 38: Part II. (Andantino) |
Sir Edward Elgar |
1:50 |
| 171 |
The Dream of Gerontius, op. 38: Part II. I went to sleep (Soul of Gerontius) |
Sir Edward Elgar |
2:58 |
| 172 |
The Dream of Gerontius, op. 38: Part II. Another marvel |
Sir Edward Elgar |
1:18 |
| 173 |
The Dream of Gerontius, op. 38: Part II. My work is done (Angel, Soul) |
Sir Edward Elgar |
2:16 |
| 174 |
The Dream of Gerontius, op. 38: Part II. It is a member of that family... A presage falls upon thee (Angel, Soul) |
Sir Edward Elgar |
6:03 |
| 175 |
The Dream of Gerontius, op. 38: Part II. But hark! Upon my senses (Soul) |
Sir Edward Elgar |
0:42 |
| 176 |
The Dream of Gerontius, op. 38: Part II. Low-born clods of brute earth (chorus) |
Sir Edward Elgar |
0:49 |
| 177 |
The Dream of Gerontius, op. 38: Part II. Dispossessed, aside thrust (chorus) |
Sir Edward Elgar |
1:27 |
| 178 |
The Dream of Gerontius, op. 38: Part II. The mind bold and independent (chorus) |
Sir Edward Elgar |
2:15 |
| 179 |
The Dream of Gerontius, op. 38: Part II. I see not those false spirits (Soul) |
Sir Edward Elgar |
2:06 |
| 180 |
The Dream of Gerontius, op. 38: Part II. There was a mortal (Angel) |
Sir Edward Elgar |
1:18 |
| 181 |
The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (semi-chorus, chorus, Angel) |
Sir Edward Elgar |
2:42 |
| 182 |
The Dream of Gerontius, op. 38: Part II. The Sound is like the rushing of the wind (Soul) |
Sir Edward Elgar |
0:16 |
| 183 |
The Dream of Gerontius, op. 38: Part II. Glory to Him (semi-chorus, chorus) |
Sir Edward Elgar |
0:31 |
| 184 |
The Dream of Gerontius, op. 38: Part II. They sing of thy approaching agony (Soul, Angel, chorus) |
Sir Edward Elgar |
0:49 |
| 185 |
The Dream of Gerontius, op. 38: Part II. But hark! a grand mysterious harmony (Soul, Angel, chorus) |
Sir Edward Elgar |
0:47 |
| 186 |
The Dream of Gerontius, op. 38: Part II. And now on the threshold (Angel) |
Sir Edward Elgar |
0:25 |
| 187 |
The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (chorus) |
Sir Edward Elgar |
6:54 |
| 188 |
The Dream of Gerontius, op. 38: Part II. Thy judgment now is near (Angel, Soul) |
Sir Edward Elgar |
3:15 |
| 189 |
The Dream of Gerontius, op. 38: Part II. Jesu! by that shuddering dread (Angel of the Agony, Soul) |
Sir Edward Elgar |
4:54 |
| 190 |
The Dream of Gerontius, op. 38: Part II. Be merciful, be gracious (semi-chorus, chorus) |
Sir Edward Elgar |
0:57 |
| 191 |
The Dream of Gerontius, op. 38: Part II. Praise to His Name! (Angel) |
Sir Edward Elgar |
1:17 |
| 192 |
The Dream of Gerontius, op. 38: Part II. Take me away (Soul) |
Sir Edward Elgar |
3:18 |
| 193 |
The Dream of Gerontius, op. 38: Part II. Lord, Thou hast been our refuge (chorus) |
Sir Edward Elgar |
1:09 |
| 194 |
The Dream of Gerontius, op. 38: Part II. Softly and gently (Angel, chorus, semi-chorus) |
Sir Edward Elgar |
7:05 |
| 195 |
Petrushka (1947 version): Tableau I. Fete populaire de la semaine grasse |
Igor Stravinsky |
7:19 |
| 196 |
Petrushka (1947 version): Tableau I. Le tour de passe-passe - Danse russe |
Igor Stravinsky |
2:35 |
| 197 |
Petrushka (1947 version): Tableau II. Chez Petrushka |
Igor Stravinsky |
4:35 |
| 198 |
Petrushka (1947 version): Tableau III. Chez le maure - Danse de la ballerine |
Igor Stravinsky |
3:36 |
| 199 |
Petrushka (1947 version): Tableau III. Valse - La ballerine et le maure |
Igor Stravinsky |
3:12 |
| 200 |
Petrushka (1947 version): Tableau IV. Fête populaire de la semaine grasse |
Igor Stravinsky |
1:11 |
| 201 |
Petrushka (1947 version): Tableau IV. Danse des nounous |
Igor Stravinsky |
2:40 |
| 202 |
Petrushka (1947 version): Tableau IV. Paysan et l'ours |
Igor Stravinsky |
1:17 |
| 203 |
Petrushka (1947 version): Tableau IV. Bohémien et marchand malhonnête |
Igor Stravinsky |
1:05 |
| 204 |
Petrushka (1947 version): Tableau IV. Danse des cochers et des palefreniers |
Igor Stravinsky |
2:06 |
| 205 |
Petrushka (1947 version): Tableau IV. Les déguisés |
Igor Stravinsky |
1:33 |
| 206 |
Petrushka (1947 version): Tableau IV. Le rixe: Le maure et Petrushka |
Igor Stravinsky |
0:48 |
| 207 |
Petrushka (1947 version): Tableau IV. Mort de Petrushka |
Igor Stravinsky |
0:55 |
| 208 |
Petrushka (1947 version):Tableau IV. Police et l'enchanteur - Vocifération du double de Petrushka |
Igor Stravinsky |
2:16 |
| 209 |
Symphony In Three Movements: I. [Crotchet: 160] |
Igor Stravinsky |
9:39 |
| 210 |
Symphony In Three Movements: II. Andante - Interlude (L'istesso tempo) |
Igor Stravinsky |
5:44 |
| 211 |
Symphony in Three Movements: III. Con moto |
Igor Stravinsky |
6:06 |
| 212 |
L'Oiseau de feu (1947 version): Introduction |
Igor Stravinsky |
6:18 |
| 213 |
L'Oiseau de feu (1947 version): Tableau I. Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch |
Igor Stravinsky |
11:09 |
| 214 |
L'Oiseau de feu (1947 version): Tableau I. Danse de l'Oiseau de feu - Capture de l'Oiseau de feu par Ivan Tsarévitch - Supplications de l'Oiseau de feu - Apparition des treize princesses enchantées |
Igor Stravinsky |
2:40 |
| 215 |
L'Oiseau de feu (1947 version): Tableau I. Brusque apparition d'Ivan Tsarévitch - Khorovode des princesses (Ronde) - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï - Carillon féerique - Apparition des monstres-gardiens de Kachtcheï - Capture d'Ivan Tsarévitch - Arrivée de Kachtcheï l'Immortel - Dialogue de Kachtcheï avec Ivan Tsarévitch - Intercession des princesses - Apparition de l'Oiseau de feu |
Igor Stravinsky |
12:52 |
| 216 |
L'Oiseau de feu (1947 version): Tableau I. Danse de la suite de Kachtcheî enchantée par l'Oiseau de feu - Danse infernale de tous les sujets de Kachtcheï |
Igor Stravinsky |
5:23 |
| 217 |
L'Oiseau de feu (1947 version): Tableau I. Berceuse (L'Oiseau de feu) - Réveil de Kachtcheï - Mort de Kachtcheï - Profonds ténébres |
Igor Stravinsky |
5:45 |
| 218 |
L'Oiseau de feu (1947 version): Tableau II. Disparation de palais et des sortilèges de Kachtcheï - Animation des chevaliers pétrifiés - Allégresse générale |
Igor Stravinsky |
3:26 |
| 219 |
Scherzo à la Russe (jazz band version) |
Igor Stravinsky |
3:54 |
| 220 |
Four Studies: I. Danse |
Igor Stravinsky |
0:57 |
| 221 |
Four Studies: II. Excentrique |
Igor Stravinsky |
2:05 |
| 222 |
Four Studies: III. Cantique |
Igor Stravinsky |
3:59 |
| 223 |
Four Studies: IV. Madrid |
Igor Stravinsky |
2:38 |
| 224 |
Scherzo à la Russe (orchestral version) |
Igor Stravinsky |
3:56 |
| 225 |
Apollo: Tableau I. Naissance d'Apollon |
Igor Stravinsky |
5:13 |
| 226 |
Apollo: Tableau II. Variation d'Apollon (Apollon et les Muses) |
Igor Stravinsky |
2:59 |
| 227 |
Apollo: Tableau II. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore) |
Igor Stravinsky |
4:15 |
| 228 |
Apollo: Tableau II. Variation de Calliope (l'Alexandrin) |
Igor Stravinsky |
1:25 |
| 229 |
Apollo: Tableau II. Variation de Polymnie |
Igor Stravinsky |
1:12 |
| 230 |
Apollo: Tableau II. Variation de Terpsichore |
Igor Stravinsky |
1:39 |
| 231 |
Apollo: Tableau II. Variation d'Apollon |
Igor Stravinsky |
2:35 |
| 232 |
Apollo: Tableau II. Pas de deux (Apollon et Terpsichore) |
Igor Stravinsky |
3:50 |
| 233 |
Apollo: Tableau II. Coda (Apollon et les Muses) |
Igor Stravinsky |
3:26 |
| 234 |
Apollo: Tableau II. Apothéose |
Igor Stravinsky |
3:31 |
| 235 |
Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Introduction - Les augures printaniers - Danses des adolescents - Jeu du rapt |
Igor Stravinsky |
8:01 |
| 236 |
Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Rondes printaniéres - Jeux des cités rivales - Cortège du sage |
Igor Stravinsky |
6:09 |
| 237 |
Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Le sage - Danse de la terre |
Igor Stravinsky |
1:33 |
| 238 |
Le Sacre du printemps: Seconde Partie: Le Sacrifice: Introduction |
Igor Stravinsky |
4:54 |
| 239 |
Le Sacre du printemps: Seconde Partie: Le Sacrifice: Cercles mystérieux des adolescents |
Igor Stravinsky |
2:59 |
| 240 |
Le Sacre du printemps: Seconde Partie: Le Sacrifice: Glorification de l´élue - Èvocation des ancêtres - Action rituelle des ancêtres |
Igor Stravinsky |
6:04 |
| 241 |
Le Sacre du printemps: Seconde Partie: Le Sacrifice: Danse sacrale (L'élue) |
Igor Stravinsky |
5:00 |
| 242 |
Five Orchestral Pieces, op. 16: I. Vorgefühle: Sehr rasch |
Arnold Schönberg |
2:22 |
| 243 |
Five Orchestral Pieces, op. 16: II. Vergangenes: Mässige Viertel |
Arnold Schönberg |
5:54 |
| 244 |
Five Orchestral Pieces, op. 16: III. Farben: Mässige Viertel |
Arnold Schönberg |
4:13 |
| 245 |
Five Orchestral Pieces, op. 16: IV. Peripetie: Sehr rasch |
Arnold Schönberg |
2:32 |
| 246 |
Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ: Bewegte Achtel |
Arnold Schönberg |
3:41 |
| 247 |
Six Orchestral Pieces, op. 6: I. Langsam |
Anton Webern |
1:04 |
| 248 |
Six Orchestral Pieces, op. 6: II. Bewegt |
Anton Webern |
1:33 |
| 249 |
Six Orchestral Pieces, op. 6: III. Mässig |
Anton Webern |
0:55 |
| 250 |
Six Orchestral Pieces, op. 6: IV. Sehr mässig |
Anton Webern |
4:24 |
| 251 |
Six Orchestral Pieces, op. 6: V. Sehr langsam |
Anton Webern |
2:43 |
| 252 |
Six Orchestral Pieces, op. 6: VI. Langsam |
Anton Webern |
1:56 |
| 253 |
Lulu Suite: I. Rondo: Andante und Hymne |
Alban Berg |
14:50 |
| 254 |
Lulu Suite: II. Ostinato: Allegro |
Alban Berg |
3:51 |
| 255 |
Lulu Suite: III. Lied der Lulu: Comodo |
Alban Berg |
3:01 |
| 256 |
Lulu Suite: IV. Variationen: Moderato |
Alban Berg |
3:23 |
| 257 |
Lulu Suite: V. Adagio |
Alban Berg |
9:06 |
| 258 |
Le Roi Lear (orch. by Roger-Ducasse): Fanfare d’ouverture |
Claude Debussy |
1:33 |
| 259 |
Le Roi Lear (orch. by Roger-Ducasse): Le Sommeil de Lear |
Claude Debussy |
3:23 |
| 260 |
Jeux ("Poème dansé") |
Claude Debussy |
19:34 |
| 261 |
Images: I. Gigues |
Claude Debussy |
7:52 |
| 262 |
Images: II. Ibéria: 1. Par les rues et par les chemins |
Claude Debussy |
7:14 |
| 263 |
Images: II. Ibéria: 2. Les Parfums de la nuit - |
Claude Debussy |
9:16 |
| 264 |
Images: II. Ibéria: 3. Le matin de jour de fête |
Claude Debussy |
4:33 |
| 265 |
Images: III. Gigues |
Claude Debussy |
8:20 |
| 266 |
The Creation, Hob. XXI:2: Part I. Overture: Representation of Chaos (orchestra) |
Joseph Haydn |
6:01 |
| 267 |
The Creation, Hob. XXI:2: Part I, no. 1. In the beginning (Raphael/chorus/Uriel) |
Joseph Haydn |
2:33 |
| 268 |
The Creation, Hob. XXI:2: Part I, no. 2. Now vanish before the holy beams (Uriel/chorus) |
Joseph Haydn |
3:49 |
| 269 |
The Creation, Hob. XXI:2: Part I, no. 3. And God made the firmament (Raphael) |
Joseph Haydn |
1:43 |
| 270 |
The Creation, Hob. XXI:2: Part I, no. 4. The marvellous work (Gabriel/chorus) |
Joseph Haydn |
2:15 |
| 271 |
The Creation, Hob. XXI:2: Part I, no. 5. And God said, Let the waters (Raphael) |
Joseph Haydn |
0:38 |
| 272 |
The Creation, Hob. XXI:2: Part I, no. 6. Rolling in foaming billows (Raphael) |
Joseph Haydn |
4:27 |
| 273 |
The Creation, Hob. XXI:2: Part I, no. 7. And God said, Let the earth (Gabriel) |
Joseph Haydn |
0:27 |
| 274 |
The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel) |
Joseph Haydn |
4:51 |
| 275 |
The Creation, Hob. XXI:2: Part I, no. 9. And the heavenly host (Uriel) |
Joseph Haydn |
0:09 |
| 276 |
The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) |
Joseph Haydn |
2:09 |
| 277 |
The Creation, Hob. XXI:2: Part I, no. 11. And God said, Let there be lights (Uriel) |
Joseph Haydn |
0:39 |
| 278 |
The Creation, Hob. XXI:2: Part I, no. 12. In splendour bright (Uriel) |
Joseph Haydn |
2:39 |
| 279 |
The Creation, Hob. XXI:2: Part I, no. 13. The heavens are telling (chorus/Gabgiel/Uriel/Raphael) |
Joseph Haydn |
3:48 |
| 280 |
The Creation, Hob. XXI:2: Part II, no. 14. And God said, Let the waters (chorus/Gabriel/Uriel/Raphael) |
Joseph Haydn |
0:22 |
| 281 |
The Creation, Hob. XXI:2: Part II, no. 15. On mighty pens (Gabriel) |
Joseph Haydn |
7:26 |
| 282 |
The Creation, Hob. XXI:2: Part II, no. 16. And God created great whales (Raphael) |
Joseph Haydn |
2:22 |
| 283 |
The Creation, Hob. XXI:2: Part II, no. 17. And the angels (Raphael) |
Joseph Haydn |
0:16 |
| 284 |
The Creation, Hob. XXI:2: Part II, no. 18. Most beautiful appear (Gabriel/Uriel/Raphael) |
Joseph Haydn |
3:52 |
| 285 |
The Creation, Hob. XXI:2: Part II, no. 19. The Lord is great (chorus/Gabriel/Uriel/Raphael) |
Joseph Haydn |
2:27 |
| 286 |
The Creation, Hob. XXI:2: Part II, no. 20. And God said, Let the earth (Raphael) |
Joseph Haydn |
0:42 |
| 287 |
The Creation, Hob. XXI:2: Part II, no. 21. Straight opening her fertile womb (Raphael) |
Joseph Haydn |
3:01 |
| 288 |
The Creation, Hob. XXI:2: Part II, no. 22. Now heaven in all her glory shines (Raphael) |
Joseph Haydn |
3:14 |
| 289 |
The Creation, Hob. XXI:2: Part II, no. 23. So God created Man (Uriel) |
Joseph Haydn |
0:37 |
| 290 |
The Creation, Hob. XXI:2: Part II, no. 24. In native worth (Raphael) |
Joseph Haydn |
3:30 |
| 291 |
The Creation, Hob. XXI:2: Part II, no. 25. And God saw everything (Raphael) |
Joseph Haydn |
0:19 |
| 292 |
The Creation, Hob. XXI:2: Part II, no. 26. Achieved is the glorious work (chorus) |
Joseph Haydn |
1:25 |
| 293 |
The Creation, Hob. XXI:2: Part II, no. 27. On thee each living soul (Gabriel/Uriel/Raphael) |
Joseph Haydn |
4:19 |
| 294 |
The Creation, Hob. XXI:2: Part II, no. 28. Achieved is the glorious work (chorus) |
Joseph Haydn |
3:05 |
| 295 |
The Creation, Hob. XXI:2: Part III, no. 29. In rosy mantle (Uriel) |
Joseph Haydn |
3:43 |
| 296 |
The Creation, Hob. XXI:2: Part III, no. 30. The Creation: By thee with bliss (Adam/Eve/chorus) |
Joseph Haydn |
2:55 |
| 297 |
The Creation, Hob. XXI:2: Part III, no. 30. The Creation: Of stars the fairest (Adam/Eve/chorus) |
Joseph Haydn |
4:00 |
| 298 |
The Creation, Hob. XXI:2: Part III, no. 30. Hail! bounteous Lord! (chorus) |
Joseph Haydn |
2:06 |
| 299 |
The Creation, Hob. XXI:2: Part III, no. 31. Our duty we have now performed (Adam) |
Joseph Haydn |
2:27 |
| 300 |
The Creation, Hob. XXI:2: Part III, no. 32. Graceful consort (Adam/Eve) |
Joseph Haydn |
3:00 |
| 301 |
The Creation, Hob. XXI:2: Part III, no. 32. The dew-dropping morn (Adam/Eve) |
Joseph Haydn |
4:09 |
| 302 |
The Creation, Hob. XXI:2: Part III, no. 33. O happy pair (Uriel) |
Joseph Haydn |
0:22 |
| 303 |
The Creation, Hob. XXI:2: Part III, no. 34. Sing the Lord (chorus and soloists) |
Joseph Haydn |
3:30 |
| 304 |
Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto |
Joseph Haydn |
5:47 |
| 305 |
Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante |
Joseph Haydn |
4:33 |
| 306 |
Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio |
Joseph Haydn |
4:14 |
| 307 |
Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto |
Joseph Haydn |
2:54 |
| 308 |
Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione) |
Joseph Haydn |
4:24 |
| 309 |
Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo) |
Joseph Haydn |
1:32 |
| 310 |
Symphony no. 70 in D, Hob. I:70: I. Vivace con brio |
Joseph Haydn |
3:26 |
| 311 |
Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante) |
Joseph Haydn |
7:06 |
| 312 |
Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio |
Joseph Haydn |
3:08 |
| 313 |
Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio) |
Joseph Haydn |
3:07 |
| 314 |
Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai |
Joseph Haydn |
6:37 |
| 315 |
Symphony no. 90 in C, Hob. I:90: II. Andante |
Joseph Haydn |
7:17 |
| 316 |
Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio |
Joseph Haydn |
5:16 |
| 317 |
Symphony no. 90 in C, Hob. I:90: IV. Finale |
Joseph Haydn |
6:53 |
| 318 |
Fanfare (for the ballet L'Éventail de Jeanne) |
Maurice Ravel |
2:18 |
| 319 |
Shéhérazade: I. Asie |
Maurice Ravel |
10:05 |
| 320 |
Shéhérazade: II. La Flûte enchantée |
Maurice Ravel |
3:10 |
| 321 |
Shéhérazade: III. L'Indifférent |
Maurice Ravel |
4:22 |
| 322 |
Alborada del gracioso |
Maurice Ravel |
7:41 |
| 323 |
Miroirs - La Vallée des cloches |
Maurice Ravel |
5:37 |
| 324 |
Ma Mère l'Oye: Prélude - |
Maurice Ravel |
3:21 |
| 325 |
Ma Mère l'Oye: Danse du Rouet et Scène - |
Maurice Ravel |
3:39 |
| 326 |
Ma Mère l'Oye: Pavane de la Belle au bois dormant - |
Maurice Ravel |
1:48 |
| 327 |
Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête - |
Maurice Ravel |
5:06 |
| 328 |
Ma Mère l'Oye: (Interlude) - Petit poucet - |
Maurice Ravel |
4:10 |
| 329 |
Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes - |
Maurice Ravel |
5:02 |
| 330 |
Ma Mère l'Oye: Le Jardin Féerique |
Maurice Ravel |
5:36 |
| 331 |
La Valse ("Poème chorégraphique") |
Maurice Ravel |
12:33 |
| 332 |
Daphnis et Chloé: Première Partie. Introduction et Danse religieuse... |
Maurice Ravel |
8:21 |
| 333 |
Daphnis et Chloé: Première Partie. Les jeunes filles attirent Daphnis et l'entourent de leurs danses / Danse générale - |
Maurice Ravel |
3:14 |
| 334 |
Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon |
Maurice Ravel |
1:45 |
| 335 |
Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis |
Maurice Ravel |
2:57 |
| 336 |
Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense... / Danse de Lyceion |
Maurice Ravel |
3:29 |
| 337 |
Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte |
Maurice Ravel |
1:44 |
| 338 |
Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint |
Maurice Ravel |
5:29 |
| 339 |
Daphnis et Chloé: Première Partie. Interlude |
Maurice Ravel |
6:19 |
| 340 |
Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé |
Maurice Ravel |
4:01 |
| 341 |
Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus |
Maurice Ravel |
2:41 |
| 342 |
Daphnis et Chloé: Troisiéme Partie. Lever du jour |
Maurice Ravel |
5:25 |
| 343 |
Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx |
Maurice Ravel |
6:51 |
| 344 |
Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale |
Maurice Ravel |
5:05 |
| 345 |
Boléro |
Maurice Ravel |
16:15 |
| 346 |
Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo |
Gustav Mahler |
22:06 |
| 347 |
Symphony no. 7 in E minor: II. Nachtmusik I: Allegro Moderato |
Gustav Mahler |
14:40 |
| 348 |
Symphony no. 7 in E minor: III. Scherzo: Schattenhaft |
Gustav Mahler |
10:14 |
| 349 |
Symphony no. 7 in E minor: IV. Nachtmusik II: Andante Amoroso |
Gustav Mahler |
12:19 |
| 350 |
Symphony no. 7 in E minor: V. Rondo - Finale |
Gustav Mahler |
17:51 |
| 351 |
Blumine |
Gustav Mahler |
7:29 |
| 352 |
Symphony no. 1 in D: I. Langsam. Schleppend - Im Anfang sehr gemächlich |
Gustav Mahler |
16:23 |
| 353 |
Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell |
Gustav Mahler |
8:13 |
| 354 |
Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen - |
Gustav Mahler |
11:28 |
| 355 |
Symphony no. 1 in D: IV. Stürmisch bewegt |
Gustav Mahler |
21:13 |
| 356 |
Symphony no. 5 in B-flat, op. 100: I. Andante |
Sergei Prokofiev |
13:05 |
| 357 |
Symphony no. 5 in B-flat, op. 100: II. Allegro marcato |
Sergei Prokofiev |
8:32 |
| 358 |
Symphony no. 5 in B-flat, op. 100: III. Adagio |
Sergei Prokofiev |
12:24 |
| 359 |
Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso |
Sergei Prokofiev |
9:45 |
| 360 |
Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce |
Sergei Prokofiev |
6:22 |
| 361 |
Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto |
Sergei Prokofiev |
2:57 |
| 362 |
Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino |
Sergei Prokofiev |
5:43 |
| 363 |
Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun |
Sergei Prokofiev |
5:11 |
| 364 |
Barcarola |
City of Birmingham Symphony Orchestra & Simon Rattle |
21:30 |
| 365 |
Symphony no. 7: I. Tanz - Lebhaft und beseelt |
City of Birmingham Symphony Orchestra & Simon Rattle |
10:57 |
| 366 |
Symphony no. 7: II. Ruhig bewegt |
City of Birmingham Symphony Orchestra & Simon Rattle |
12:42 |
| 367 |
Symphony no. 7: III. Unablässig in Bewegung |
City of Birmingham Symphony Orchestra & Simon Rattle |
5:12 |
| 368 |
Symphony no. 7: IV. Ruhig, verhalten |
City of Birmingham Symphony Orchestra & Simon Rattle |
9:28 |
| 369 |
The Young Person's Guide to the Orchestra, op. 34: Theme (Allegro maestoso e largamente) |
Benjamin Britten |
1:57 |
| 370 |
The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes and piccolo (PrestO) |
Benjamin Britten |
0:30 |
| 371 |
The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes (Lento) |
Benjamin Britten |
0:57 |
| 372 |
The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets (Moderato) |
Benjamin Britten |
0:45 |
| 373 |
The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons (Allegro alla marcia) |
Benjamin Britten |
0:51 |
| 374 |
The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins Brillante: alla polacca) |
Benjamin Britten |
0:32 |
| 375 |
The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas (Meno mosso) |
Benjamin Britten |
1:01 |
| 376 |
The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos |
Benjamin Britten |
1:14 |
| 377 |
The Young Person's Guide to the Orchestra, op. 34: Variation H: Double basses (Comminciando lento ma poco a poco accel. al Allegro) |
Benjamin Britten |
1:00 |
| 378 |
The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp (Maestoso) |
Benjamin Britten |
0:47 |
| 379 |
The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns (L'istesso tempo) |
Benjamin Britten |
0:50 |
| 380 |
The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets (Vivace) |
Benjamin Britten |
0:33 |
| 381 |
The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones and bass tuba (Allegro pomposo) |
Benjamin Britten |
1:07 |
| 382 |
The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion (Moderato) |
Benjamin Britten |
1:56 |
| 383 |
The Young Person's Guide to the Orchestra, op. 34: Fugue (Allegro molto) |
Benjamin Britten |
2:48 |
| 384 |
Odyssey: Introduction |
Nicholas Maw |
8:16 |
| 385 |
Odyssey: Part I |
Nicholas Maw |
11:52 |
| 386 |
Odyssey: Part II |
Nicholas Maw |
12:15 |
| 387 |
Odyssey: Part III |
Nicholas Maw |
30:55 |
| 388 |
Odyssey: Part IV |
Nicholas Maw |
18:06 |
| 389 |
Odyssey: Part V |
Nicholas Maw |
13:53 |
| 390 |
Variations on an Original Theme, op. 36 "Enigma": Theme |
Sir Edward Elgar |
1:28 |
| 391 |
Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (the composer's wife) |
Sir Edward Elgar |
2:03 |
| 392 |
Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.P. (Hed David Steuart-Powell) |
Sir Edward Elgar |
0:48 |
| 393 |
Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Richard Baxter Townshend) |
Sir Edward Elgar |
1:27 |
| 394 |
Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (William Meath Baker) |
Sir Edward Elgar |
0:27 |
| 395 |
Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Richard Penrose Arnold) |
Sir Edward Elgar |
2:13 |
| 396 |
Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Isabel Fitton) |
Sir Edward Elgar |
1:19 |
| 397 |
Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Troyte Griffit) |
Sir Edward Elgar |
1:02 |
| 398 |
Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Winifred Norbury) |
Sir Edward Elgar |
2:07 |
| 399 |
Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (A.J. Jaeger) |
Sir Edward Elgar |
4:21 |
| 400 |
Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Dora Penny) |
Sir Edward Elgar |
2:48 |
| 401 |
Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (George Robertson Sinclair) |
Sir Edward Elgar |
0:56 |
| 402 |
Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Basil G. Nevinson) |
Sir Edward Elgar |
3:04 |
| 403 |
Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza: *** (Lady Mary Lygon) |
Sir Edward Elgar |
2:58 |
| 404 |
Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (the composer) |
Sir Edward Elgar |
5:28 |
| 405 |
Grania and Diarmid, op. 42: Incidental Music |
Sir Edward Elgar |
3:01 |
| 406 |
Grania and Diarmid, op. 42: Funeral March |
Sir Edward Elgar |
6:52 |
| 407 |
Falstaff - Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry |
Sir Edward Elgar |
3:13 |
| 408 |
Falstaff - Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head. Revelry and Sleep - |
Sir Edward Elgar |
13:12 |
| 409 |
Falstaff - Symphonic Study in C minor, op. 68: Dream Interlude (Poco allegretto): "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" |
Sir Edward Elgar |
2:28 |
| 410 |
Falstaff - Symphonic Study in C minor, op. 68: III. Falstaff's March - The Return |
Sir Edward Elgar |
4:18 |
| 411 |
Falstaff - Symphonic Study in C minor, op. 68: Interlude: Gloucestershire. Shallow's Orchard (Allegretto) - The New King - The Hurried Ride to London |
Sir Edward Elgar |
2:54 |
| 412 |
Falstaff - Symphonic Study in C minor, op. 68: IV. King Henry V's progress - The Repudiation of Falstaff, And His Death |
Sir Edward Elgar |
9:58 |
| 413 |
Harmonielehre: Part I |
John Adams |
17:29 |
| 414 |
Harmonielehre: Part II: The Anfortas Wound |
John Adams |
12:26 |
| 415 |
Harmonielehre: Part III: Meister Eckhardt and Quackie |
John Adams |
10:34 |
| 416 |
The Chairman Dances "Foxtrot for Orchestra" |
John Adams |
12:47 |
| 417 |
Two Fanfares: Tromba lontana |
John Adams |
4:07 |
| 418 |
Two Fanfares: Short Ride in a Fast Machine |
John Adams |
4:24 |
| 419 |
Drowned Out |
Mark‐Anthony Turnage |
22:33 |
| 420 |
Three Screaming Popes |
Mark‐Anthony Turnage |
15:46 |
| 421 |
Momentum |
Mark‐Anthony Turnage |
10:49 |
| 422 |
Asyla, op. 17: I. |
Thomas Adès |
5:32 |
| 423 |
Asyla, op. 17: II. |
Thomas Adès |
6:00 |
| 424 |
Asyla, op. 17: III. Ecstasio |
Thomas Adès |
6:20 |
| 425 |
Asyla, op. 17: IV. |
Thomas Adès |
4:41 |
| 426 |
The Miraculous Mandarin, op. 19: The Beginning |
Béla Bartók |
3:11 |
| 427 |
The Miraculous Mandarin, op. 19: First Seduction Game |
Béla Bartók |
3:44 |
| 428 |
The Miraculous Mandarin, op. 19: Second Seduction Game |
Béla Bartók |
3:16 |
| 429 |
The Miraculous Mandarin, op. 19: Third Seduction Game - The Mandarin Enters |
Béla Bartók |
4:14 |
| 430 |
The Miraculous Mandarin, op. 19: Dance of the Girl |
Béla Bartók |
4:18 |
| 431 |
The Miraculous Mandarin, op. 19: The Chase |
Béla Bartók |
4:26 |
| 432 |
The Miraculous Mandarin, op. 19: Suddenly the Mandarin's Head Appears, |
Béla Bartók |
6:25 |
| 433 |
The Miraculous Mandarin, op. 19: The Mandarin Falls to the Floor |
Béla Bartók |
2:11 |
| 434 |
Concerto for Orchestra, Sz. 116: Introduzione: Andante non troppo - Allegro vivace |
Béla Bartók |
10:15 |
| 435 |
Concerto for Orchestra, Sz. 116: Giuoco delle coppie: Allegretto scherzando |
Béla Bartók |
6:38 |
| 436 |
Concerto for Orchestra, Sz. 116: Elegia: Andante non troppo |
Béla Bartók |
7:23 |
| 437 |
Concerto for Orchestra, Sz. 116: Intermezzo interrotto: Allegretto |
Béla Bartók |
4:27 |
| 438 |
Concerto for Orchestra, Sz. 116: Finale: Pesante - Presto |
Béla Bartók |
9:52 |
| 439 |
Erwartung, op. 17: I. Szene: Hier hinein? Man sieht den Weg nicht... |
Arnold Schoenberg |
2:51 |
| 440 |
Erwartung, op. 17: II. Szene: Ist das noch der Weg? Hier ist es eben. |
Arnold Schoenberg |
2:51 |
| 441 |
Erwartung, op. 17: III. Szene: Da kommt ein Licht! |
Arnold Schoenberg |
1:51 |
| 442 |
Erwartung, op. 17: IV. Szene: Er ist auch nicht da... |
Arnold Schoenberg |
2:09 |
| 443 |
Erwartung, op. 17: IV. Szene: Das Mondlicht... nein, dort... |
Arnold Schoenberg |
2:50 |
| 444 |
Erwartung, op. 17: IV. Szene: Was soll ich tun... |
Arnold Schoenberg |
4:22 |
| 445 |
Erwartung, op. 17: IV. Szene: Aber so seltsam ist dein Auge... |
Arnold Schoenberg |
2:23 |
| 446 |
Erwartung, op. 17: IV. Szene: Du siehst wieder dort hin?... |
Arnold Schoenberg |
1:41 |
| 447 |
Erwartung, op. 17: IV. Szene: Oh! Nicht einmal die Gnade... |
Arnold Schoenberg |
3:59 |
| 448 |
Erwartung, op. 17: IV. Szene: Liebster, Liebster, der Morgen kommt... |
Arnold Schoenberg |
4:54 |
| 449 |
Variations for Orchestra: Introduction and Theme - |
Arnold Schoenberg |
2:43 |
| 450 |
Variations for Orchestra: Variation I: Moderato |
Arnold Schoenberg |
1:11 |
| 451 |
Variations for Orchestra: Variation II: Adagio |
Arnold Schoenberg |
2:19 |
| 452 |
Variations for Orchestra: Variation III: Mässig |
Arnold Schoenberg |
0:49 |
| 453 |
Variations for Orchestra: Variation IV: Walzer - Tempo |
Arnold Schoenberg |
1:21 |
| 454 |
Variations for Orchestra: Variation V: Bewegt |
Arnold Schoenberg |
2:09 |
| 455 |
Variations for Orchestra: Variation VI: Andante |
Arnold Schoenberg |
1:41 |
| 456 |
Variations for Orchestra: Variation VII: Langsam |
Arnold Schoenberg |
2:50 |
| 457 |
Variations for Orchestra: Variation VIII: Sehr rasch |
Arnold Schoenberg |
0:36 |
| 458 |
Variations for Orchestra: Variation IX: L'istesso tempo |
Arnold Schoenberg |
0:59 |
| 459 |
Variations for Orchestra: Finale |
Arnold Schoenberg |
6:36 |
| 460 |
Stabat Mater, op. 53: I. Stała Matka bolejąca (Stabat Mater dolorosa) |
Karol Szymanowski |
6:11 |
| 461 |
Stabat Mater, op. 53: II. I któż widział tak cierpiącą (Quis est homo qui non fleret) |
Karol Szymanowski |
2:25 |
| 462 |
Stabat Mater, op. 53: III. O Matko Źródło Wszechmiłości (Eia Mater, fons amoris) |
Karol Szymanowski |
3:51 |
| 463 |
Stabat Mater, op. 53: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere) |
Karol Szymanowski |
3:02 |
| 464 |
Stabat Mater, op. 53: V. Panno słodka racz mozołem (Virgo virginum praeclare) |
Karol Szymanowski |
2:54 |
| 465 |
Stabat Mater, op. 53: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire) |
Karol Szymanowski |
4:57 |
| 466 |
Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro |
Karol Szymanowski |
3:26 |
| 467 |
Litany to the Virgin Mary, op. 59: II. Jak krzak skarlały |
Karol Szymanowski |
4:35 |
| 468 |
Symphony no. 3, op. 27 "Song of the Night": I. Moderato assai |
Karol Szymanowski |
7:43 |
| 469 |
Symphony no. 3, op. 27 "Song of the Night": II. Vivace, scherzando |
Karol Szymanowski |
7:14 |
| 470 |
Symphony no. 3, op. 27 "Song of the Night": III. Largo |
Karol Szymanowski |
9:45 |
| 471 |
Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": I. Adagio |
Joseph Haydn |
7:13 |
| 472 |
Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": II. Presto |
Joseph Haydn |
4:09 |
| 473 |
Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": III. Menuetto & Trio |
Joseph Haydn |
3:38 |
| 474 |
Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": IV. Finale: Presto |
Joseph Haydn |
2:59 |
| 475 |
Symphony no. 102 in B-flat, Hob. I:102: I. Largo - Vivace |
Joseph Haydn |
8:19 |
| 476 |
Symphony no. 102 in B-flat, Hob. I:102: II. Adagio |
Joseph Haydn |
5:19 |
| 477 |
Symphony no. 102 in B-flat, Hob. I:102: III. Menuet: Allegro & Trio |
Joseph Haydn |
4:50 |
| 478 |
Symphony no. 102 in B-flat, Hob. I:102: IV. Finale: Presto |
Joseph Haydn |
4:45 |
| 479 |
Symphony no. 86 in D: I. Adagio - Allegro spiritoso |
Joseph Haydn |
8:30 |
| 480 |
Symphony no. 86 in D: II. Capriccio: Largo |
Joseph Haydn |
6:08 |
| 481 |
Symphony no. 86 in D: III. Menuet (Allegretto) & Trio |
Joseph Haydn |
5:15 |
| 482 |
Symphony no. 86 in D: IV. Finale: Allegro con spirito |
Joseph Haydn |
6:33 |
| 483 |
Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I) |
Dmitri Shostakovich |
27:44 |
| 484 |
Symphony no. 4 in C minor, op. 43: II. Moderato con moto |
Dmitri Shostakovich |
8:47 |
| 485 |
Symphony no. 4 in C minor, op. 43: III. Largo - Allegro |
Dmitri Shostakovich |
25:47 |
| 486 |
Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso |
Benjamin Britten |
5:47 |
| 487 |
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde |
Gustav Mahler |
8:29 |
| 488 |
Das Lied von der Erde: II. Der Einsame im Herbst |
Gustav Mahler |
9:43 |
| 489 |
Das Lied von der Erde: III. Von der Jugend |
Gustav Mahler |
3:14 |
| 490 |
Das Lied von der Erde: IV. Von der Schönheit |
Gustav Mahler |
7:02 |
| 491 |
Das Lied von der Erde: V. Der Trunkene im Frühling |
Gustav Mahler |
4:32 |
| 492 |
Das Lied von der Erde: VI. Der Abschied |
Gustav Mahler |
30:29 |
| 493 |
Symphony no. 7 in E: I. Allegro moderato |
Anton Bruckner |
22:48 |
| 494 |
Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam) |
Anton Bruckner |
24:09 |
| 495 |
Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo |
Anton Bruckner |
10:34 |
| 496 |
Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell |
Anton Bruckner |
13:23 |
| 497 |
In a Nutshell: I. Arrival Platform Humlet |
Percy Grainger |
2:36 |
| 498 |
In a Nutshell: II. “Gay but Wistful” (Tune in a Popular London Style) |
Percy Grainger |
2:57 |
| 499 |
In a Nutshell: III. Pastoral |
Percy Grainger |
9:01 |
| 500 |
In a Nutshell: IV. “The Gum-Suckers” March |
Percy Grainger |
4:16 |
| 501 |
Train Music |
Percy Grainger |
1:35 |
| 502 |
Country Gardens |
Percy Grainger |
2:36 |
| 503 |
La Vallée des cloches |
Maurice Ravel |
5:29 |
| 504 |
A Lincolnshire Posy: I. Lisbon (Sailor’s Song) |
Percy Grainger |
1:27 |
| 505 |
A Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - a local tragedy) |
Percy Grainger |
2:44 |
| 506 |
A Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) |
Percy Grainger |
4:43 |
| 507 |
A Lincolnshire Posy: IV. The Brisk Young Sailor (who returned to wed his True Love) |
Percy Grainger |
1:41 |
| 508 |
A Lincolnshire Posy: V. Lord Melbourne (War Song) |
Percy Grainger |
3:41 |
| 509 |
A Lincolnshire Posy: VI. The Lost Lady Found (Dance Song) |
Percy Grainger |
2:28 |
| 510 |
Pagodes |
Claude Debussy |
5:56 |
| 511 |
The Warriors (Music to an Imaginary Ballet) |
Percy Grainger |
18:41 |
| 512 |
Symphony no. 4 in G: I. Bedächtig. Nicht eilen |
Gustav Mahler |
17:05 |
| 513 |
Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast |
Gustav Mahler |
10:11 |
| 514 |
Symphony no. 4 in G: III. Ruhevoll |
Gustav Mahler |
22:42 |
| 515 |
Symphony no. 4 in G: IV. Sehr behaglich |
Gustav Mahler |
9:22 |
| 516 |
Symphony no. 1 in B-flat minor: I. Allegro assai |
Sir William Walton |
14:23 |
| 517 |
Symphony no. 1 in B-flat minor: II. Presto, con malizia |
Sir William Walton |
6:04 |
| 518 |
Symphony no. 1 in B-flat minor: III. Andante con malinconia |
Sir William Walton |
11:11 |
| 519 |
Symphony no. 1 in B-flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso |
Sir William Walton |
12:26 |
| 520 |
Belshazzar's Feast: Thus Spake Isaiah: Maestoso - |
Sir William Walton |
10:39 |
| 521 |
Belshazzar's Feast: Babylon Was a Great City: Quasi recitativo - |
Sir William Walton |
8:59 |
| 522 |
Belshazzar's Feast: Thus in Babylon, the Mighty City: Allegro molto - |
Sir William Walton |
3:11 |
| 523 |
Belshazzar's Feast: And in That Same Hour as They Feasted: Quasi recitativo - |
Sir William Walton |
1:45 |
| 524 |
Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso |
Sir William Walton |
5:54 |
| 525 |
Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro |
Sir William Walton |
3:53 |
| 526 |
Symphony no. 3 in D minor: I. Kräftig. Entschieden |
Mahler |
33:36 |
| 527 |
Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig |
Mahler |
10:21 |
| 528 |
Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast |
Mahler |
16:53 |
| 529 |
Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso, Durchaus ppp |
Gustav Mahler |
9:23 |
| 530 |
Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck |
Gustav Mahler |
3:57 |
| 531 |
Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden |
Gustav Mahler |
22:22 |
| 532 |
Des Knaben Wunderhorn: Der Schildewache Nactlied |
Gustav Mahler |
5:50 |
| 533 |
Des Knaben Wunderhorn: Verlor'ne Muüh' |
Gustav Mahler |
2:30 |
| 534 |
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht |
Gustav Mahler |
1:57 |
| 535 |
Des Knaben Wunderhorn: Wo die schönen Trompeten blasen |
Gustav Mahler |
6:59 |
| 536 |
Des Knaben Wunderhorn: Revelge |
Gustav Mahler |
6:30 |
| 537 |
Des Knaben Wunderhorn: Der Tambourg'sell |
Gustav Mahler |
5:27 |
| 538 |
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt |
Gustav Mahler |
3:46 |
| 539 |
Des Knaben Wunderhorn: Ablösung im Sommer (Orch. L. Berio) |
Gustav Mahler |
1:41 |
| 540 |
Król Roger, op. 46: Act I. "Hagios! Hagios!" |
Karol Szymanowski |
2:42 |
| 541 |
Król Roger, op. 4: Act I. "Boże pobłogosław Panie praodwieczny" |
Karol Szymanowski |
2:29 |
| 542 |
Król Roger, op. 4: Act I. "Czyś słyszał?" |
Karol Szymanowski |
4:24 |
| 543 |
Król Roger, op. 4: Act I. "Oto bluźnierca!" |
Karol Szymanowski |
1:20 |
| 544 |
Król Roger, op. 4: Act I. "Mój Bóg jest piękny jako ja" |
Karol Szymanowski |
4:19 |
| 545 |
Król Roger, op. 4: Act I. "W jego uśmiechu!" |
Karol Szymanowski |
3:56 |
| 546 |
Król Roger, op. 4: Act I. "Niech odejdzie Pasterz" |
Karol Szymanowski |
5:37 |
| 547 |
Król Roger, op. 4: Act II. (Orchestra) |
Karol Szymanowski |
1:56 |
| 548 |
Król Roger, op. 4: Act II. "Niepokój bladych gwiazd" |
Karol Szymanowski |
5:22 |
| 549 |
Król Roger, op. 4: Act II. "A ...!...Roksana! Jej śpiew!" |
Karol Szymanowski |
4:18 |
| 550 |
Król Roger, op. 4: Act II. "Ktoś mglisty przeszedł między strażą!" |
Karol Szymanowski |
1:15 |
| 551 |
Król Roger, op. 4: Act II. "O przychodzę sam, jako kazałeś, Królu" |
Karol Szymanowski |
5:05 |
| 552 |
Król Roger, op. 4: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!" |
Karol Szymanowski |
3:05 |
| 553 |
Król Roger, op. 4: Act II. "Tajemnych głębin życia żar wszechmocną" |
Karol Szymanowski |
2:37 |
| 554 |
Król Roger, op. 4: Act II. Dance of the Shepherd's followers |
Karol Szymanowski |
1:43 |
| 555 |
Król Roger, op. 4: Act II. Roxana's Entrance. "A...! W radosnym tańcu" |
Karol Szymanowski |
2:09 |
| 556 |
Król Roger, op. 4: Act II. "Kto śmie mój czar łańcuchem pętać rabów?" |
Karol Szymanowski |
2:15 |
| 557 |
Król Roger, op. 4: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie" |
Karol Szymanowski |
5:35 |
| 558 |
Król Roger, op. 4: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!" |
Karol Szymanowski |
4:50 |
| 559 |
Król Roger, op. 4: Act III. (Orchestra) |
Karol Szymanowski |
1:57 |
| 560 |
Król Roger, op. 4: Act III. "Wokół martwota głazów" |
Karol Szymanowski |
4:37 |
| 561 |
Król Roger, op. 4: Act III. "Rogerze! Rogerze!" |
Karol Szymanowski |
1:34 |
| 562 |
Król Roger, op. 4: Act III. "Na sąd, na sąd staw się Królu" |
Karol Szymanowski |
5:46 |
| 563 |
Król Roger, op. 4: Act III. "Syć ofiarny" |
Karol Szymanowski |
4:20 |
| 564 |
Król Roger, op. 4: Act III. "Edrisi, już świt!" |
Karol Szymanowski |
1:37 |
| 565 |
Król Roger, op. 4: Act III. "Słońce! Słońce! Edrisi!" |
Karol Szymanowski |
2:37 |
| 566 |
Symphony no. 4 (Symphonie Concertante), op. 60: I. Moderato. Tempo comodo |
Karol Szymanowski |
9:50 |
| 567 |
Symphony no. 4 (Symphonie Concertante), op. 60: II. Andante molto sostenuto |
Karol Szymanowski |
8:15 |
| 568 |
Symphony no. 4 (Symphonie Concertante), op. 60: III. Allegro non troppo, ma agitato ed ansioso |
Karol Szymanowski |
6:31 |
| 569 |
Symphony no. 8 in E-flat major: Erster Teil. Veni, creator spiritus |
Gustav Mahler |
1:25 |
| 570 |
Symphony no. 8 in E-flat major: Erster Teil. Imple superna gratia |
Gustav Mahler |
3:41 |
| 571 |
Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis |
Gustav Mahler |
2:47 |
| 572 |
Symphony no. 8 in E-flat major: Erster Teil. [Tempo I: Allegro, etwas hastig] |
Gustav Mahler |
1:25 |
| 573 |
Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis |
Gustav Mahler |
3:08 |
| 574 |
Symphony no. 8 in E-flat major: Erster Teil. Accende lumen sensibus |
Gustav Mahler |
5:27 |
| 575 |
Symphony no. 8 in E-flat major: Erster Teil. Qui paraclitus diceris |
Gustav Mahler |
3:25 |
| 576 |
Symphony no. 8 in E-flat major: Erster Teil. Gloria patri domino |
Gustav Mahler |
2:24 |
| 577 |
Symphony no. 8 in E-flat major: Zweiter Teil. [Poco adagio] |
Gustav Mahler |
6:41 |
| 578 |
Symphony no. 8 in E-flat major: Zweiter Teil. [Più mosso: Allegro moderato] |
Gustav Mahler |
3:02 |
| 579 |
Symphony no. 8 in E-flat major: Zweiter Teil. Waldung, sie schwankt heran (chorus and echo) |
Gustav Mahler |
4:45 |
| 580 |
Symphony no. 8 in E-flat major: Zweiter Teil. Ewiger Wonnebrand (Pater Ecstaticus) |
Gustav Mahler |
1:26 |
| 581 |
Symphony no. 8 in E-flat major: Zweiter Teil. Wie Felsenabgrund mir zu Füßen (Pater Profundus) |
Gustav Mahler |
4:10 |
| 582 |
Symphony no. 8 in E-flat major: Zweiter Teil. Gerettet ist das edle Glied (chorus of angels) |
Gustav Mahler |
2:35 |
| 583 |
Symphony no. 8 in E-flat major: Zweiter Teil. Uns bleibt ein Erdenrest (chorus of angels) |
Gustav Mahler |
2:22 |
| 584 |
Symphony no. 8 in E-flat major: Zweiter Teil. Ich spür' soeben (chorus of young angels) |
Gustav Mahler |
1:02 |
| 585 |
Symphony no. 8 in E-flat major: Zweiter Teil. Höchste Herrscherin der Welt! (Doctor Marianus) |
Gustav Mahler |
3:49 |
| 586 |
Symphony no. 8 in E-flat major: Zweiter Teil. Dir, der Unberührbaren (chorus) |
Gustav Mahler |
3:03 |
| 587 |
Symphony no. 8 in E-flat major: Zweiter Teil. Bei der Liebe, die den Füßen (Magna Peccatrix) |
Gustav Mahler |
4:34 |
| 588 |
Symphony no. 8 in E-flat major: Zweiter Teil. Neige, neige, du Ohnegleiche (Una Poenitentium (Gretchen)) |
Gustav Mahler |
1:38 |
| 589 |
Symphony no. 8 in E-flat major: Zweiter Teil. Er überwächst uns schon (chorus of blessed boys) |
Gustav Mahler |
2:28 |
| 590 |
Symphony no. 8 in E-flat major: Zweiter Teil. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa/chorus) |
Gustav Mahler |
1:08 |
| 591 |
Symphony no. 8 in E-flat major: Zweiter Teil. Blicket auf zum Retterblick (Doctor Marianus/chorus) |
Gustav Mahler |
4:31 |
| 592 |
Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus) |
Gustav Mahler |
4:21 |
| 593 |
Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus) |
Gustav Mahler |
2:08 |
| 594 |
Songs of a Fairy-tale Princess, op. 31: The Lonely Moon |
Karol Szymanowski |
4:44 |
| 595 |
Songs of a Fairy-tale Princess, op. 31: The Nightingale |
Karol Szymanowski |
2:54 |
| 596 |
Songs of a Fairy-tale Princess, op. 31: Dance |
Karol Szymanowski |
2:11 |
| 597 |
Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 1. Driving the Sheep |
Karol Szymanowski |
4:23 |
| 598 |
Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 2. Mimed Scene (Courtship) |
Karol Szymanowski |
2:06 |
| 599 |
Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 3. The Tatra Robbers' March |
Karol Szymanowski |
1:39 |
| 600 |
Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 4. Mimed Scene (The Harnaś and the girl) |
Karol Szymanowski |
3:32 |
| 601 |
Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 5. The Tatra Robbers' Dance. Finale |
Karol Szymanowski |
4:20 |
| 602 |
Harnasie, op. 55: Tableau II "In the Inn": No. 6a. The Wedding |
Karol Szymanowski |
2:25 |
| 603 |
Harnasie, op. 55: Tableau II "In the Inn": No. 6b. Entry of the Bride |
Karol Szymanowski |
1:57 |
| 604 |
Harnasie, op. 55: Tableau II "In the Inn": No. 6c. Drinking Song |
Karol Szymanowski |
1:08 |
| 605 |
Harnasie, op. 55: Tableau II "In the Inn": No. 7. The Tatra Highlanders' Dance |
Karol Szymanowski |
3:49 |
| 606 |
Harnasie, op. 55: Tableau II "In the Inn": No. 8. Raid of the Harnasie. Dance |
Karol Szymanowski |
5:31 |
| 607 |
Harnasie, op. 55: Tableau II "In the Inn": No. 9. Epilogue |
Karol Szymanowski |
2:55 |
| 608 |
Love Songs of Hafiz, op. 26: Desires |
Karol Szymanowski |
1:51 |
| 609 |
Love Songs of Hafiz, op. 26: The Infatuated East Wind |
Karol Szymanowski |
1:55 |
| 610 |
Love Songs of Hafiz, op. 26: Dance |
Karol Szymanowski |
1:48 |
| 611 |
Love Songs of Hafiz, op. 26: Pearls of My soul |
Karol Szymanowski |
1:50 |
| 612 |
Love Songs of Hafiz, op. 26: Eternal Youth |
Karol Szymanowski |
3:00 |
| 613 |
Love Songs of Hafiz, op. 26: Your Voice |
Karol Szymanowski |
2:46 |
| 614 |
Love Songs of Hafiz, op. 26: Drinking Song |
Karol Szymanowski |
2:34 |
| 615 |
Love Songs of Hafiz, op. 26: Hafiz' Grave |
Karol Szymanowski |
5:47 |