| 1 |
Explorations – A Conversation With Composer Roger Reynolds |
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| 2 |
Explanations – A Studio Demonstration |
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| 3 |
[untitled] |
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| 4 |
Terminology / Gravity Bow Drops |
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| 5 |
Harmonics / Higher Harmonic Partials |
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| 6 |
Artificial Harmonics |
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| 7 |
Compound Artificial Harmonics |
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| 8 |
Pizzicato Artificial Harmonics |
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| 9 |
Falsetto Flautando |
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| 10 |
Subharmonics |
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| 11 |
Multiphonics |
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| 12 |
Arco Multiphonics |
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| 13 |
Two‐Handed Pizzicato Technique |
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| 14 |
Double Glissando |
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| 15 |
Bitones |
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| 16 |
Amplification |
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| 17 |
Conclusion |
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| 18 |
Investigations – Approaches to Making Music |
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| 19 |
[untitled] |
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| 20 |
[untitled] |
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| 21 |
Early Development |
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| 22 |
Improvisation and Composition |
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| 23 |
Musical DNA |
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| 24 |
The Limits of Notation |
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| 25 |
Context and Control |
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| 26 |
Common Affinities |
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| 27 |
Commitment and Development |
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| 28 |
Making It Work |
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| 29 |
Everything Is There |
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| 30 |
Electro‐Acoustic Performance |
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| 31 |
Intuition and Growth |
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| 32 |
Be Yourself Completely |
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| 33 |
Visceras |
2:29 |
| 34 |
Spleendeed |
3:37 |
| 35 |
Innard Pulse |
4:33 |
| 36 |
Dermus |
6:45 |
| 37 |
Duohandum |
6:11 |
| 38 |
K‐Tude |
1:48 |
| 39 |
S’Offal |
3:34 |
| 40 |
Kishkus |
4:46 |
| 41 |
imAge/Contrabass |
6:47 |
| 42 |
imagE/Contrabass |
4:40 |
| 43 |
Ekoneni |
3:54 |