| 1 |
Le marteau sans maître: I. Avant l'Artisanat furieux |
Pierre Boulez |
1:49 |
| 2 |
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude |
Pierre Boulez |
4:07 |
| 3 |
Le marteau sans maître: III. L'Artisanat furieux |
Pierre Boulez |
2:30 |
| 4 |
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude |
Pierre Boulez |
4:37 |
| 5 |
Le marteau sans maître: V. Bel édifice et les pressentiments I |
Pierre Boulez |
3:55 |
| 6 |
Le marteau sans maître: VI. Bourreaux de solitude |
Pierre Boulez |
4:15 |
| 7 |
Le marteau sans maître: VII. Après l'Artisanat furieux |
Pierre Boulez |
1:05 |
| 8 |
Le Marteau sans Maître: VIII. Commentaire III de Bourreaux de solitude |
Pierre Boulez |
5:48 |
| 9 |
Le marteau sans maître: IX. Bel édifice et les pressentiments II |
Pierre Boulez |
8:05 |
| 10 |
Livre pour cordes: 1a Variation |
Pierre Boulez |
6:37 |
| 11 |
Livre pour cordes: 1b Mouvement |
Pierre Boulez |
4:01 |
| 12 |
Asterism for Piano and Orchestra |
Tōru Takemitsu |
11:45 |
| 13 |
Requiem for String Orchestra |
Tōru Takemitsu |
7:46 |
| 14 |
Green (November Steps II) for Orchestra |
Tōru Takemitsu |
5:41 |
| 15 |
The Dorian Horizon for 17 Strings |
Tōru Takemitsu |
9:03 |
| 16 |
Agon |
Igor Stravinsky |
20:36 |
| 17 |
7 Studies on Themes of Paul Klee for Orchestra: Antique Harmonies |
Gunther Schuller |
2:22 |
| 18 |
7 Studies on Themes of Paul Klee for Orchestra: Abstract Trio |
Gunther Schuller |
1:39 |
| 19 |
7 Studies on Themes of Paul Klee for Orchestra: Little Blue Devil |
Gunther Schuller |
3:03 |
| 20 |
7 Studies on Themes of Paul Klee for Orchestra: The Twittering Machine |
Gunther Schuller |
2:07 |
| 21 |
7 Studies on Themes of Paul Klee for Orchestra: 5. Arab Village |
Gunther Schuller |
6:51 |
| 22 |
7 Studies on Themes of Paul Klee for Orchestra: An Eerie Moment |
Gunther Schuller |
2:03 |
| 23 |
7 Studies on Themes of Paul Klee for Orchestra: Pastorale |
Gunther Schuller |
2:55 |
| 24 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": I. Emerson |
Charles Ives |
13:36 |
| 25 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": II. Hawthorne |
Charles Ives |
10:06 |
| 26 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": III. The Alcotts |
Charles Ives |
4:41 |
| 27 |
Piano Sonata no. 2 "Concord, Mass., 1840-60": IV. Thoreau |
Charles Ives |
9:43 |
| 28 |
Emerson (end of exposition) |
Charles Ives |
2:01 |
| 29 |
Emerson (most of recapitulation) |
Charles Ives |
4:00 |
| 30 |
Hawthorne (fragment) |
Charles Ives |
0:13 |
| 31 |
The Alcotts (complete) |
Charles Ives |
4:53 |
| 32 |
Emerson Transcription No. 1 with Interpolated Improvisations |
Charles Ives |
5:19 |
| 33 |
Emerson Transcription No. 3 with Interpolated Improvisations |
Charles Ives |
2:33 |
| 34 |
Voice of the Whale (Vox Balaenae) for Three Masked Players |
George Crumb |
20:18 |
| 35 |
Night of the Four Moons: I. La luna está muerta, muerta |
George Crumb |
2:38 |
| 36 |
Night of the Four Moons: II. Cuando sale la luna |
George Crumb |
3:36 |
| 37 |
Night of the Four Moons: III. Otro Adán oscuro está soñando |
George Crumb |
2:53 |
| 38 |
Night of the Four Moons: IV. ¡Huye luna, luna, luna ! |
George Crumb |
8:26 |
| 39 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, I. Morning Music (Genesis II) |
George Crumb |
2:32 |
| 40 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, II. The Mystic Chord |
George Crumb |
2:26 |
| 41 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, III. Rain-Death Variations |
George Crumb |
1:34 |
| 42 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, IV. Twin Suns (Doppelgänger aus der Ewigkeit) |
George Crumb |
3:32 |
| 43 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, V. Ghost Nocturne for the Druids of Stonehenge (Night-Spell II) |
George Crumb |
3:04 |
| 44 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VI. Gargoyles |
George Crumb |
1:10 |
| 45 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VII. Tora! Tora! Tora! (Cadenza Apocalittica) |
George Crumb |
1:33 |
| 46 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VIII. A Prophecy of Nostradamus |
George Crumb |
2:29 |
| 47 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, IX. Cosmic Wind |
George Crumb |
2:20 |
| 48 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, X. Voices from "Corona Borealis" |
George Crumb |
3:23 |
| 49 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XI. Litany of the Galactic Bells |
George Crumb |
2:34 |
| 50 |
Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XII. Agnus Dei |
George Crumb |
4:05 |
| 51 |
Daphne of the Dunes |
Harry Partch |
17:28 |
| 52 |
Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California |
Harry Partch |
9:20 |
| 53 |
Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances: |
Harry Partch |
16:19 |
| 54 |
Partch in Prologue, Adapted Viola |
Harry Partch |
3:55 |
| 55 |
Chromelodeon I |
Harry Partch |
2:29 |
| 56 |
Kithara I |
Harry Partch |
1:08 |
| 57 |
Castor & Pollux (Harmonic Canon II) |
Harry Partch |
0:48 |
| 58 |
Diamond Marimba |
Harry Partch |
1:28 |
| 59 |
Bass Marimba |
Harry Partch |
1:21 |
| 60 |
Cloud-Chamber Bowls |
Harry Partch |
1:50 |
| 61 |
Spoils of War |
Harry Partch |
1:57 |
| 62 |
Surrogate Kithara |
Harry Partch |
1:24 |
| 63 |
Kithara II |
Harry Partch |
1:20 |
| 64 |
Boo |
Harry Partch |
1:55 |
| 65 |
Harmonic Canon I |
Harry Partch |
1:15 |
| 66 |
Zymo-Xyl |
Harry Partch |
1:43 |
| 67 |
Mazda Marimba |
Harry Partch |
1:35 |
| 68 |
Gourd Tree & Cone Gong |
Harry Partch |
1:49 |
| 69 |
Hand Instruments, Partch in Epilogue |
Harry Partch |
3:04 |
| 70 |
Sound Patterns |
Pauline Oliveros |
4:00 |
| 71 |
North American Time Capsule 1967 |
Alvin Lucier |
10:16 |
| 72 |
Solos for Voice 2 |
John Cage |
12:49 |
| 73 |
She Was a Visitor |
Robert Ashley |
5:50 |
| 74 |
Extended Voices |
Toshi Ichyanagi |
11:04 |
| 75 |
Chorus and Instruments II |
Morton Feldman |
5:05 |
| 76 |
Christian Wolff in Cambridge |
Morton Feldman |
3:48 |
| 77 |
Akrata |
Iannis Xenakis |
11:59 |
| 78 |
Syzygy |
David Del Tredici |
24:18 |
| 79 |
Zyklus for a percussionist (no. 9) : |
Karlheinz Stockhausen |
11:36 |
| 80 |
Fontana Mix - Feed |
John Cage |
10:14 |
| 81 |
Lux Aeterna for 5 Masked Musicians |
George Crumb |
13:25 |
| 82 |
Stereo Electronic Music No. 1 |
Bülent Arel |
10:30 |
| 83 |
Leiyla and the Poet |
Halim El‐Dabh |
5:18 |
| 84 |
Prologue: Enuma Elish (from 3 scenes from The Creation) |
Vladimir Ussachevsky |
8:13 |
| 85 |
Composition for Synthesizer |
Milton Babbitt |
10:36 |
| 86 |
Electronic Study No. 1 |
Mario Davidovsky |
5:50 |
| 87 |
Gargoyles |
Otto Luening |
9:22 |
| 88 |
Ensembles for Synthesizer |
Milton Babbitt |
10:41 |
| 89 |
Sonatine for Flute and Piano |
Pierre Boulez |
13:03 |
| 90 |
Interpolation: Mobile for Flute (1, 2 and 3) |
Roman Haubenstock-Ramati |
4:53 |
| 91 |
Concerto no. 1 for Oboe and Chamber Orchestra |
Bruno Maderna |
18:52 |
| 92 |
Y Su Sangre Ya Viene Cantando |
Luigi Nono |
16:22 |
| 93 |
Serenade I for Flute and 14 Instruments |
Luciano Berio |
10:42 |