| 1 |
How Do You Do It (take 2) |
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| 2 |
There’s a Place (take 1) |
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| 3 |
There’s a Place (take 2) |
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| 4 |
There’s a Place (takes 3+4) |
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| 5 |
There’s a Place (takes 5+6) |
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| 6 |
There’s a Place (takes 7+8) |
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| 7 |
There’s a Place (take 9) |
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| 8 |
There’s a Place (take 10) |
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| 9 |
I Saw Her Standing There (take 1) |
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| 10 |
I Saw Her Standing There (take 2) |
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| 11 |
I Saw Her Standing There (take 3) |
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| 12 |
I Saw Her Standing There (take 4) |
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| 13 |
I Saw Her Standing There (take 5) |
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| 14 |
I Saw Her Standing There (takes 6–9) |
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| 15 |
Do You Want to Know a Secret (take 7) |
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| 16 |
Do You Want to Know a Secret (take 8) |
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| 17 |
A Taste of Honey (take 6) |
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| 18 |
A Taste of Honey (take 7) |
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| 19 |
There’s a Place (take 11) |
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| 20 |
There’s a Place (takes 12+13) |
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| 21 |
I Saw Her Standing There (take 10) |
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| 22 |
I Saw Her Standing There (takes 11+12) |
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| 23 |
Misery (take 1) |
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| 24 |
Misery (takes 2–6) |
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| 25 |
Misery (take 7) |
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| 26 |
Misery (take 8) |
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| 27 |
From Me to You (takes 1+2) |
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| 28 |
From Me to You (take 3) |
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| 29 |
From Me to You (take 4) |
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| 30 |
From Me to You (take 5) |
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| 31 |
From Me to You (takes 6+7) |
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| 32 |
From Me to You (take 8 announcement) |
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| 33 |
From Me to You (master edit from takes 12+8–10) |
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| 34 |
From Me to You (take 8 remnants) |
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| 35 |
From Me to You (take 9 remnant) |
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| 36 |
From Me to You (take 10) remnant) |
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| 37 |
From Me to You (take 11) |
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| 38 |
From Me to You (take 12 remnant) |
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| 39 |
From Me to You (take 13) |
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| 40 |
From Me to You (master edit, Barrett mix) |
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| 41 |
From Me to You (edit of takes 8–10) |
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| 42 |
Thank You Girl (take 1) |
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| 43 |
Thank You Girl (takes 2–4) |
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| 44 |
Thank You Girl (take 5) |
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| 45 |
Thank You Girl (take 6) |
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| 46 |
Thank You Girl (takes 7+8) |
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| 47 |
Thank You Girl (take 9) |
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| 48 |
Thank You Girl (takes 10–12) |
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| 49 |
Thank You Girl (take 13) |
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| 50 |
One After 909 (take 1) |
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| 51 |
One After 909 (take 2) |
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| 52 |
One After 909 (take 3) |
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| 53 |
One After 909 (take 4) |
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| 54 |
One After 909 (take 5) |
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| 55 |
One After 909 (edit of takes 4+5, Barrett mix) |
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| 56 |
Thank You Girl (edit of takes 14+30) |
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| 57 |
Thank You Girl (take 30 |
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| 58 |
She Loves You (RS1) |
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| 59 |
She Loves You (RS2) |
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| 60 |
Christmas Messages to Australia (take 1) |
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| 61 |
Christmas Messages to Australia (take 2) |
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| 62 |
Open Message to Australia (take 1) |
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| 63 |
Hold Me Tight (rehearsal take) |
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| 64 |
Hold Me Tight (takes 20+21) |
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| 65 |
Hold Me Tight (take 22) |
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| 66 |
Hold Me Tight (takes 23+24) |
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| 67 |
Hold Me Tight (rehearsal fragment) |
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| 68 |
Hold Me Tight (take 25) |
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| 69 |
Hold Me Tight (take 26+rehearsal fragment) |
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| 70 |
Hold Me Tight (take 27) |
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| 71 |
Hold Me Tight (take 28) |
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| 72 |
Hold Me Tight (take 29) |
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| 73 |
Don’t Bother Me (take 10) |
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| 74 |
Don’t Bother Me (takes 11+12) |
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| 75 |
Don’t Bother Me (take 13) |
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| 76 |
This Boy (unedited RS15) |
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| 77 |
Can’t Buy Me Love (take 2) |
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| 78 |
Can’t Buy Me Love (take 3) |
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| 79 |
A Hard Day’s Night (take 1) |
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| 80 |
A Hard Day’s Night (takes 2–4) |
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| 81 |
A Hard Day’s Night (take 5) |
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| 82 |
A Hard Day’s Night (takes 6+7) |
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| 83 |
A Hard Day’s Night (takes 8+9) |
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| 84 |
I’m a Loser (takes 1 + 2) |
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| 85 |
I’m a Loser (take 3) |
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| 86 |
I’m a Loser (takes 4–6) |
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| 87 |
I’m a Loser (take 7) |
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| 88 |
I’m a Loser (take 8) |
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| 89 |
Mr. Moonlight (take 4) |
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| 90 |
Leave My Kitten Alone (take 5) |
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| 91 |
What You’re Doing (take 11) |
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| 92 |
She’s a Woman (take 1) |
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| 93 |
She’s a Woman (take 2) |
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| 94 |
She’s a Woman (takes 3 + 4) |
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| 95 |
She’s a Woman (take 5 or 7) |
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| 96 |
She’s a Woman (take 6) |
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| 97 |
I Feel Fine (take 1) |
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| 98 |
I Feel Fine (take 2 |
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| 99 |
I Feel Fine (take 5) |
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| 100 |
I Feel Fine (take 6) |
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| 101 |
I Feel Fine (take 7 announcement + chat) |
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| 102 |
I Feel Fine (take 9) |
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| 103 |
Christmas Message (take 1) (Hello Dolly) |
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| 104 |
Speech (take 1) |
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| 105 |
Speech (take 2) |
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| 106 |
Speech (takes 3 + 4) |
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| 107 |
Ticket to Ride (take 2) |
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| 108 |
Yes It Is (take 1) |
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| 109 |
Yes It Is (take 2) |
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| 110 |
Yes It Is (takes 3–9) |
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| 111 |
Yes It Is (takes 10 + 11) |
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| 112 |
Yes It Is (take 14) |
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| 113 |
If You’ve Got Trouble (take 1) |
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| 114 |
That Means a Lot (take 1) |
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| 115 |
That Means a Lot (rehearsal fragments) |
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| 116 |
That Means a Lot (take 20) |
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| 117 |
That Means a Lot (take 22) |
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| 118 |
That Means a Lot (takes 23 + 24) |
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| 119 |
That Means a Lot (“test” take) |
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| 120 |
Help! (take 1) |
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| 121 |
Help! (takes 2 + 3) |
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| 122 |
Help! (studio chat) |
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| 123 |
Help! (take 4) |
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| 124 |
Help! (take 5) |
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| 125 |
Help! (take 6) |
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| 126 |
Help! (tuning + chat) |
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| 127 |
Help! (take 7) |
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| 128 |
Help! (takes 8 + 9) |
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| 129 |
Help! (take 10) |
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| 130 |
Help! (take 11) |
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| 131 |
Help! (take 12) |
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| 132 |
Help! (RS from take 12) |
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| 133 |
Run for Your Life (take 1 Announcement) |
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| 134 |
Run for Your Life (studio chat) |
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| 135 |
Norwegian Wood (This Bird Has Flown) (take 1) |
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| 136 |
Norwegian Wood (This Bird Has Flown) (take 1, alternate) |
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| 137 |
Day Tripper (take 1) |
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| 138 |
Day Tripper (takes 2 + 3) |
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| 139 |
We Can Work It Out (take 1) |
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| 140 |
Norwegian Wood (This Bird Has Flown) (take 2) |
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| 141 |
Norwegian Wood (This Bird Has Flown) (take 4) |
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| 142 |
I’m Looking Through You (take 1) |
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| 143 |
I’m Looking Through You (take 1 alt.) |
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| 144 |
We Can Work It Out (take 2) |
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| 145 |
12‐Bar Original (takes 1 + 2) |
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| 146 |
12‐Bar Original (rehearsal take) |
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| 147 |
12‐Bar Original (RM1) |
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| 148 |
Beatle Speech (take 1) |
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| 149 |
I’m Looking Through You (take 4) |
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| 150 |
Paperback Writer (take 1) |
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| 151 |
Paperback Writer (take 2) |
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| 152 |
Rain (untrimmed RS1) |
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| 153 |
Strawberry Fields Forever (take 1) |
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| 154 |
Strawberry Fields Forever (take 1 alt. mix) |
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| 155 |
Strawberry Fields Forever (take 2) |
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| 156 |
Strawberry Fields Forever (takes 3 + 4) |
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| 157 |
Strawberry Fields Forever (takes 5 + 6) |
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| 158 |
Strawberry Fields Forever (rehearsal takes) |
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| 159 |
Strawberry Fields Forever (take 7) |
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| 160 |
Strawberry Fields Forever (RM3 from take 7) |
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| 161 |
Strawberry Fields Forever (take 25) |
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| 162 |
Strawberry Fields Forever (RM9) |
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| 163 |
Strawberry Fields Forever (take 26) |
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| 164 |
Penny Lane (RM8) |
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| 165 |
Penny Lane (RM9) |
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| 166 |
Penny Lane (RM10) |
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| 167 |
A Day in the Life (RS1) |
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| 168 |
A Day in the Life (RS2) |
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| 169 |
A Day in the Life (RS3) |
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| 170 |
A Day in the Life (RS4) |
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| 171 |
A Day in the Life (RS5) |
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| 172 |
A Day in the Life (RS6) |
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| 173 |
A Day in the Life (RS7) |
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| 174 |
A Day in the Life (RS8) |
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| 175 |
A Day in the Life (RS9) |
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| 176 |
All You Need Is Love (take 59) |
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| 177 |
Flying (take 8 and Overdub takes 1–5) |
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| 178 |
Hello Goodbye (take 1) |
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| 179 |
Lady Madonna (take 4) |
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| 180 |
Lady Madonna (take 4, alt.) |
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| 181 |
Lady Madonna (take 5) |
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| 182 |
Ob‐La‐Di Ob‐La‐Da (take 5) |
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| 183 |
While My Guitar Gently Weeps (take 1) |
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| 184 |
Hey Jude (take 7) |
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| 185 |
Las Vegas Tune |
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| 186 |
St. Louis Blues |
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| 187 |
Hey Jude (takes 8 + 9) |
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| 188 |
Hey Jude (RS from take 9) |
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| 189 |
Not Guilty (take 102) |
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| 190 |
Untitled Jam |
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| 191 |
Whats the New Mary Jane (take 4) |
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| 192 |
I Will (take 19) (Can You take Me Back) |
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| 193 |
I Will (take 30) (Down in Havana) |
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| 194 |
I Will (takes 34‐36) (Step Inside Love / Los Paranoias / The Way You Look Tonight) |
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| 195 |
Teddy Boy (DDSI 24) |
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| 196 |
Teddy Boy (RS1) |
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| 197 |
Rip It Up / Shake Rattle and Roll (DDSI 26) |
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| 198 |
Miss Ann / Kansas City / Lawdy Miss Clawdy (DDSI 26) |
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| 199 |
Blue Suede Shoes (DDSI 26)+ |
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| 200 |
Cannonball / Not Fade Away / Hey Little Girl / Bo Diddley (DDS) |
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| 201 |
Mailman Bring Me No More Blues (DDSI) |
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| 202 |
Old Brown Shoe (take 2) |
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| 203 |
All Things Must Pass (take 2) |
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| 204 |
Come and Get It (take 1) |
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| 205 |
Because (take 16 vocals) |
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| 206 |
Because (take 16) |
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| 207 |
Octopuss Garden (take 10) |
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| 208 |
Across the Universe (RS3) |
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| 209 |
I Me Mine (RS1) |
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